Figure 1. Hand painted lithography made in New York, entitled Chronological tree of Irish history (1876). The branches are inscribed with significant dates and events in Irish history from the first English invasion to 1876. On the left is Erin, the personification of Ireland, with harp and hound. A man, thought to be Daniel O’Connell,Continue reading “Ireland and New York: identifying a ‘fashion place’”
Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction and Archival Materiality. A presentation for The New School Parsons, Paris Fashion Heritage and Media research symposium held on 29th April 2022. Keywords: aura, archive, materiality, fashion, communication, social media, photography Abstract A 15-minute talk exploring the notion of the aura, as definedContinue reading “The End of an Aura?”
Research project into the accessibility of slow fashion brands. We originally hypothesised that slow fashion brands price out those on lower incomes, which causes a higher consumption of fast fashion. Our investigation into this involved initial interviews that informed the construction of a survey, to which 60 people responded. Following these we conducted more detailedContinue reading “What is slow fashion, really?”
Figure 1: Diana’s wedding gown. Entranced by elegance and stunned by beauty that I had not expected, I stood in front of Lady Diana’s 1981 wedding dress (fig.1) in complete awe. A design that has never appealed to me when viewing contemporary journalistic photography of Prince Charles and Diana’s wedding; this exhibition reframed the dressContinue reading “Royal Style in the Making: Exhibiton Review”
‘Theorists provide invaluable tools to “think through fashion” [and …] engaging with theory is essential in order to understand and analyse fashion’ (Rocamora and Smelik 2016). Despite the emphasis of Anglicised narratives, there have been youth culture and subcultural movements in Ireland which heavily concerned fashion. This essay will form a case study around photographsContinue reading “Irish Youth Culture and Subculture in Fashion”
A critical introduction to the exploration of the parameters of the labels Bimbo and Bombshell, and how these are used to categorise and demean women based upon male sexual preferences and assumptions on women’s intelligence and capacity for rational thought.
A discussion of taste and shame in fashion in relation to the perception of the feminine-grotesque in Richard Billingham’s work. In Ray’s a Laugh, Billingham’s mother, Liz, serves as a visual representation of many white working-class women. The working class materialised as a social label through middle-class interpretations, conceived by their desire to maintain socialContinue reading “Dress and the feminine-grotesque”